Unit 7
About This Site

• Built Projects
• A New Gallery 2012
• A New Gallery - Genesis
• Hadspen Belvedere 2010
• Hadspen Belvedere - Genesis
• Hadspen Belvedere - Credits
• Hadspen Studio 2008
• Hadspen Studio - Genesis
• Hadspen Studio - Credits
• Finnforest Pavilion Ecobuild 2008
• Finnforest Pavilion - Genesis
• Finnforest Pavilion - Credits
• Wall Prototype 2007
• Wall Prototype 2006

• 2012
• 1.0 GOING TO A TOWN
• 1.1 UNDERSTANDING RICHTER
• 1.1 Johannes Brattgard
• 1.1 Matthew Charlton
• 1.1 Sam Chisholm
• 1.1 Angus Goodwin
• 1.1 Jhonathan Jaramillo
• 1.1 Louis Jobst
• 1.1 James Lloyd
• 1.1 Tomoko Matsumiya
• 1.1 Laura McLean
• 1.1 Sharm Murugiah
• 1.1 Chris Pendrich
• 1.1 Zeinab Rahal
• 1.1 Bex Roberts
• 1.1 Hannah Stringer
• 1.1 Brad Wheeler
• 1.1 Jade Yianni
• 1.2 SPATIAL TYPOLOGIES
• 1.2 Johannes Brattgard
• 1.2 Sam Chisholm
• 1.2 Louis Jobst
• 1.2 Chris Pendrich
• 1.2 Zeinab Rahal
• 1.2 Jade Yianni
• 1.3 UNDERSTANDING BERLIN
• 1.3 Johannes Brattgard
• 1.3 Robert Chandler
• 1.3 Matt Charlton
• 1.3 Sam Chisholm
• 1.3 Louis Jobst
• 1.3 Laura McLean
• 1.3 Chris Pendrich
• 1.3 Zeinab Rahal
• 1.3 Bex Roberts
• 1.3 Hannah Stringer
• 1.3 Jade Yianni
• 1.4 A SCHEDULE OF AREAS
• 1.5 GERHARD RICHTER MUSEUM
• 1.5 Johannes Brattgard
• 1.5 Robert Chandler
• 1.5 Matt Charlton
• 1.5 Sam Chisholm
• 1.5 Angus Goodwin
• 1.5 Louis Jobst
• 1.5 Laura McLean
• 1.5 Chris Pendrich
• 1.5 Zeinab Rahal
• 1.5 Bex Roberts
• 1.5 Tomasz_Romaniewicz
• 1.5 Hannah Stringer
• 1.5 Jade Yianni

• 2011
• 1.0 OTHER LANDSCAPES
• 1.1 A NEW MAP
• 1.2 THE ANATOMY OF ORFORD NESS
• 1.2 Lab 1 Model
• 1.2 Lab 2 Model
• 1.2 Lab 3 Model
• 1.2 Lab 4 Model
• 1.2 Lab 5 Model
• 1.2 Lab 1 Drawings
• 1.2 Lab 2 Drawings
• 1.2 Lab 3 Drawings
• 1.2 Lab 4 Drawings
• 1.2 Lab 5 Drawings
• 1.2 Photographic Studies
• 1.2 Lab Models on Orford Ness
• 1.2.2 ORFORD NESS EXHIBITION
• 1.3 REMOVAL ADJUSTMENT & ADDITION
• 1.3 Kamlesh Bava
• 1.3 Ash Bonham
• 1.3 Sam Chisholm
• 1.3 Patrick Fryer
• 1.3 Luke Jackson
• 1.3 Sara Jonasson
• 1.3 Rebecca Roberts
• 1.3 Elliot Sully
• 1.3 Ted Swift
• 1.3 Dan Wainwright
• 1.3 Rebeckah Wootton
• 2.1 SCALE COMPARISONS
• 2.2 NUCLEAR COMPONENTS
• 2.3 A CATHEDRAL OF POWER
• 2.3 Kamlesh Bava
• 2.3 Ash Bonham
• 2.3 Sam Chisholm
• 2.3 Patrick Fryer
• 2.3 Luke Jackson
• 2.3 Chris Pendrich
• 2.3 Elliot Sully
• 2.3 Sara Jonasson
• 2.3 Rebecca Roberts
• 2.3 Ted Swift
• 2.3 Dan Wainwright
• 2.3 Rebeckah Wootton
• Credits 2011

• 2010
• 1.0 SMALL ACTS
• 1.1 THE ANATOMY OF A TREE
• 1.1 George Bunkall
• 1.1 Kasi Cisarova
• 1.1 Helen Clark
• 1.1 Eva Cmarova
• 1.1 Adam Gielniak
• 1.1 Rob Grover
• 1.1 Emelia Herman
• 1.1 Jae Yoon Kim
• 1.1 Henry Lau
• 1.1 Do Eun Lee
• 1.1 Frank Monahan
• 1.1 Andrea Obiol
• 1.1 Richard Penman
• 1.1 Elliot Sully
• 1.1 Edward Swift
• 1.1 Antje Weihen
• 1.2 A STRATEGIC UNDERSTANDING
• 1.2 George Bunkall
• 1.2 Kazi Cisarova
• 1.2 Helen Clark
• 1.2 Eva Cmarova
• 1.2 Conor Galligan
• 1.2 Jakob Gate
• 1.2 Adam Gielniak
• 1.2 Rob Grover
• 1.2 Emilia Herman
• 1.2 Jae Yoon Kim
• 1.2 Henry Lau
• 1.2 Do Eun Lee
• 1.2 Frank Monahan
• 1.2 Andrea Obiel
• 1.2 Richard Penman
• 1.2 Elliot Sully
• 1.2 Edward Swift
• 1.2 Antje Weihen
• 1.3 BELVEDERE
• 1.3 George Bunkall
• 1.3 Kazi Cizarova
• 1.3 Helen Clark
• 1.3 Eva Cmarova
• 1.3 Conor Galligan
• 1.3 Adam Gielniak
• 1.3 Emilia Herman
• 1.3 Edward Swift
• 1.3 Antje Weihen
• 1.5 SETTLEMENT
• 1.5 George Bunkall
• 1.5 Kazi Cizarova
• 1.5 Helen Clark
• 1.5 Eva Cmarova
• 1.5 Conor Galligan
• 1.5 Adam Gielniak
• 1.5 Henry Lau
• 1.5 Do Eun Lee
• 1.5 Andrea Obiol
• 1.5 Richard Penman
• 1.5 Elliot Sully
• 1.5 Edward Swift
• 1.5 Antje Weihen
• Credits 2010

• 2009
• 1.0 ON RE-USE
• 1.1 SURVEY I
• 1.2 SURVEY II
• 1.4 MODEL AND MEASURE
• 1.5 ADAPTIVE RE-USE
• 1.5 Johan Dehlin
• 1.5 Ben Fallows
• 1.5 Annakaisa Haanpää
• 1.5 Holly Jackson
• 1.5 Patrick Quinn
• 1.5 Will Wiesner
• 1.5 Gemma Taylor
• 1.5 Joshua Williams
• Credits 2009

• 2008
• 1.1 TIMBER INTERPRETATIONS
• 1.1 Cave I
• 1.1 Cave II
• 1.1 Pyramid
• 1.1 Parthenon
• 1.1 Pantheon
• 1.1 Westminster Abbey I
• 1.1 Westminster Abbey II
• 1.1 Boundary Estate
• 1.1 Villa Savoye
• 1.1 Unité d'Habitation

• 2007
• 1.0 WORK

• 2006
• 1.0 A BUILDING OF PICTURES
• Alex Bank
• Trevor Brown
• Viktor Jak

• 2005
• Stefano Ciurlo-Walker

• 2004
• Ulla Tervo

• Info
• Main

Copyright 2010

• Built with Indexhibit

Understanding Richter: The Order of Things

Gerhard Richter has addressed the manner in which his oeuvre is perceived and understood through the rigorous documentation of his paintings, drawings, sculpture, editions and their source material in the catalogue raisonné and Atlas. The former was initiated in 1963 as a list compiled and typed by the artist. It was revised in 1969 as a “second order of representation” in response to the conceptual and minimalist art tendencies of the time.

The first edition of the catalogue raisonné was released as a limited run of 100 offset lithographs. Updated versions have been published in conjunction with major exhibitions in 1972, 1993 and 2005. A new edition is due for release in four days time.

The Atlas came about in response to Richter’s “desire for order and a clear presentation” of the vast amount of source material he had accumulated. It has acted as a filter of an abundance of images to a manageable collection of useful images. It has also served to extend to Richter’s audience, an understanding of his processes and to illuminate the rigorous, but open-ended nature of his thinking

Both the catalogue raisonné and Atlas are now published in digital form on gerhardrichter.com. In order to promote a developed understanding of Richter’s methods and outputs, students were asked to make a comprehensive survey of the contents of the catalogue and Atlas and re-present a selection of Richter’s paintings in a precisely ordered, printed array. Specific criteria were developed and employed for both the selection and ordering of images.

These criteria included chronology, position in catalogue raisonné, title, subject matter, size, colour, technique employed, where the source material is archived in the Atlas, price sold at auction, institution where held, the amount of times work has been exhibited, missing works and many more. The extent of the selection was determined by the conceptual or visual criteria used.

Reproductions of Gerhard Richter's paintings were accessed from gerhardrichter.com.